What Camera Did Alfred Stieglitz Use

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Who was Alfred Stieglitz?

Alfred Stieglitz was a photographer who promoted the modernist movement in art and most single-handedly altered how photography was perceived as an art form. Although the ascension in quality and availability of technology means that nigh everyone is an apprentice photographer today, the medium was notwithstanding relatively new and unexplored when Stieglitz began his career. His extensive writings, gallery showings and artistic efforts, put photography on the map of art and turned photographs into something worthy of being hung in an art gallery, rather than a mere inartistic mode to preserve images. Obsessive and driven in his personal life as well as his career, he had a reputation for being consistently infatuated with younger women and had several affairs, including a late in life marriage to famous painter Georgia O'Keefe. His ain photography often focuses on the softer and more natural ephemera of the hard and brutal ascension of American manufacture, using subjects similar snow and steam to quite literally soften the hard edges of industrial scenes. Although his own photography is respected as meaningful art in itself, his nigh enduring legacy is the attempt he put towards irresolute public perception of photography and clearing a path for photography to exist viewed as fine fine art.

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Childhood & Early Life

Born on Jan 1, 1864, in Hoboken, NJ to German-Jewish immigrants, Alfred Stieglitz was beginning of six children, including a pair of twins. For his early education he was sent to the finest private schools in New York.

In 1882, he began studying at the 'Technische Hochschule' in Berlin for a degree in mechanical engineering science. It was at this school that he discovered his passion for the developing field of photography.

In 1890, he was forced to return to New York to be with his family after his eldest sister Flora died in childbirth. Although he didn't want to come back to the city, later on viii years of the cultured and artistic freedom of Germany, he ultimately returned to his grieving family when his begetter threatened to cut his allowances.

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Career

Post-obit his return to New York, Stieglitz became a leading advocate for the pictorial school of photography and wrote extensively, for 'The American Amateur Photographer' and other publications, nearly the principles of photography equally a fine art. In 1890, his begetter bought him a small-scale photography studio in New York where he could display his ain work.

In 1892, he became the editor of 'Camera Notes', the periodical periodical of the New York Camera Club. He continued to use his influence within the club to promote the rising of photography equally a respected art form.

By 1902, Stieglitz and a group of like-minded photographers stepped away from the Camera Society to begin an independent project, every bit part of what he chosen the Photo-Secession. This project began with a single testify of photography carefully selected by Stieglitz from his circle of friends and grew into a new independent publication called 'Photographic camera Work'.

These perfectionist selections met with critical acclaim and a positive reception among the full general public. Stieglitz edited the publication from 1902 to 1917.

Post-obit, the renaming of his commencement gallery to '291', in 1908, his work was featured in an exhibition past the National Arts Club billed equally a 'Special Exhibition of Contemporary Fine art'.

This exhibition displayed his work aslope that of his swain photographers, also as influential modern painters such as Mary Cassat and James McNeill Whistler in what is often recognized as the showtime public fine art prove to display photography alongside other forms of fine art.

In 1917, his work began to show a marked shift in focus and ethics. Steiglitz's work began to trend more towards un-manipulated photography, rather than the darkroom magic that characterized his early career. This year he also photographed Georgia O'Keefe, the creative person who would become i of his most famous portrait subjects and later his married woman.

Most of the later role of his career was dedicated to maintaining his several galleries, which connected to promote his message of photography as fine art past displaying photographs and paintings with same care and respect.

Although his photographs are known and respected in their own right, his biggest contribution to art is arguably his endeavours to promote photography as fine art.

Major Works

'The Steerage', taken in 1907, remains i of his most influential and recognizable photographs. Taken from a viewpoint in which both upper class passengers and lower course passengers in steerage tin can exist seen on their separate decks, this photograph is considered a perfect example of the modern documentary mode. It not only displays the aesthetic principles of modernism, but also makes a ringing commentary on the discipline affair without saying a word.

Some of Stieglitz's near enduring and famous photographs are portraits of his boyfriend artist and somewhen wife, Georgia O'Keefe. His extensive series of portraits was defended to capturing her personality and inner life as much every bit her concrete appearance. He took and published over 250 portraits of her from 1917 to 1924.

Awards & Achievements

In addition to his ain photography, Stieglitz was well-known for his galleries that celebrated art forms of all kinds alongside photographs. Many famous artists, including Pablo Picasso, Auguste Rodin and Henri Matisse all got their showtime American exposure in his galleries. He was responsible for organizing some of the largest and most diverse showings of art in the country.

Personal Life & Legacy

In 1893, Stieglitz succumbed to pressure from his parents and married Emmeline Obermeyer, the sister of a business associate. Though he and Emmy had one daughter, it was a human relationship of fiscal convenience for him and he was commonly open nearly his discontent. The couple divorced in 1924. In the aforementioned year, a few months later his divorce, he married Georgia O'Keeffe.

Trivia

Two of this eminent personality's siblings were twins and he was reportedly jealous, always wishing for a soul mate of his own. This idea of an intellectual twin led him to seek out a passionate relationship with fellow modernistic artist Georgia O'Keefe.

Source: https://www.thefamouspeople.com/profiles/alfred-stieglitz-3580.php

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